LizzieMaine
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I *agreed* with most of what MASH had to say, but I found the technique terribly cloying. It was an excellent show up until when Radar left, but it just got tiresome after that. Classic case of "the funnyman wants to do Hamlet."
I missed the finale -- I was living in California at the time, and didn't even own a bed, let alone a television set -- but when I finally saw it years later I thought it was way overblown. They handled the departure of Henry Blake much better -- he leaves, his plane is shot down, he dies, people have to face it and move on. That was a good example of how the show could make powerful points without getting sappy and tedious.
Some critic wrote about the history of military shows on TV around that time, noting in so many words that "at most, these programs made the point that War is Heck. MASH is the first TV show to come right out and say what war really is."
I missed the finale -- I was living in California at the time, and didn't even own a bed, let alone a television set -- but when I finally saw it years later I thought it was way overblown. They handled the departure of Henry Blake much better -- he leaves, his plane is shot down, he dies, people have to face it and move on. That was a good example of how the show could make powerful points without getting sappy and tedious.
Some critic wrote about the history of military shows on TV around that time, noting in so many words that "at most, these programs made the point that War is Heck. MASH is the first TV show to come right out and say what war really is."