I really liked what Zombie did with House of 1,000 Corpses. Unlike some of his other movies, which I feel like he pushed to be purposely offensive in an unironic way, House felt like an experimental music video, sort of Zombie's way of making a crazed buffet that let him test the waters to see where he wanted to go with his movie career. I would love to see the workprint, and I wish some of the abandoned concepts and Dr. Satan himself had found their way into the theatrical cut of the sequel.With most of the family (youngest had a friend over so they cocooned themselves away) Dark Shadows, Tim Burton's take on the TV show. We really love it, our eldest's first viewing, and she is a huge TB fan.
ON MY OWN THE Rob Zombie bizzarro gore fest that is House of 1000 Corpses. There are no words, but I am a fan...
Devil's Rejects was an... interesting way of continuing the Firefly's story. I understand that Zombie wanted it to be more grounded, and I enjoyed the more coherent story, but I felt like some of the characters were flanderized. Otis wasn't a Manson-spewing albino anymore, Baby was more murder-crazy instead of being promiscuous crazy, and Spaulding was just a more grotesque, less humerus version of himself (though I loved seeing him mess with that kid in the car).
3 From Hell seemed to be the weakest of the trilogy. It's like Zombie had no idea with what he wanted to do with it, and just let whatever happen. I liked some of the characters returning to their roots like Baby returning to be the giggling murderslut she was in the first movie.