Doctor Strange
I'll Lock Up
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- Hudson Valley, NY
I also watched Outlaw King a while ago. I agree with you guys: underwhelming.
Wicked as They Come (1956)
Woman with insatiable appetites climbs through a succession of progressively wealthier and gullible men.
Almost campy plotting leading to typical '50s-style comeuppance which is marred by a clumsy quasi-redemptive ending. Still, fun and solidly produced.
Pre-screeened a 35mm print of "The Searchers" to be shown Saturday as part of a statewide John Ford film festival, Ford being a Maine boy and all.
I don't particularly like westerns, and I'm not a fan of Mr. Wayne at all, so let's get that right out first. This is not a film I would have chosen to screen if it was up to me, because, while the visuals are spectacular -- especially in 35mm as God and the Motion Picture Patents Corporation intended -- it's that the film has absolutely nothing to say to me. If I could have had my choice of Ford films, I'd have picked "Grapes Of Wrath," but it wasn't up to me.
There are scenes in the film that are absolutely wrenching. The shot of the Cavalry riding thru the burning Comanche village herding the survivors like cattle reads less like Manifest Destiny and more like the SS in Warsaw, which I doubt was Ford's authorial intent, but nevertheless there is is. And the casual, dismissive cruelty with which Jeffrey Hunter treats the Comanche woman he has inadvertantly married is repulsive. Women are nonentities in this picture -- they're either prizes to be fought over or props to be tossed aside once their utility has been exhausted. If, as he has said, George Lucas used this film as a template for "Star Wars," it would explain a lot.
But there are some pleasant things here. As noted, the photography, in the short-lived VistaVision process, has a depth and a vigor you'll never find in any kind of a digital presentation -- after five years running DCP, to see real film on a real screen with this kind of visual power was a reminder of why I got into this business in the first place. Leave out the two hours of The Duke throwing racial slurs at Comanches and waving his gweat big -- gun barrel -- around, and just give me a John Ford Technicolor travelogue, and I'd be a lot happier.
Jeffery Hunter was pretty good in his role, although he looks nothing like a teenager. He's a lot thinner and rangier then he ever was in his two best-known roles, Jesus Christ and Captain Pike, and the look suits him -- I'm amazed he never got a starring role in a black-and-white TV western. He could have given Connors and Garner and the rest of that bunch a run for their money. And it was amusing to see Ken Curtis in a pre-Gunsmoke variation on Festus -- less whiskers but just as much "comedy relief." As for Vera Miles, they could have rented a mannequin and just stood her up there for all the acting she got a chance to do.
I know it's Critically Acclaimed and a Landmark Of The Genre and all that, but meh. Now, "Grapes of Wrath," that's a hell of a picture...
A TCM offering...."Rachel, rachel" with Joanne Woodward, directed by her hubby. Right off the bat I have to say I am a big Woodward fan, I have never seen her in a subpar performance so I come with a bias. I really liked this film. Found it sweet and touching. Newman did a stellar job on the direction as well. This is a film that has aged well.
For my film discussion group... Nocturama - a recent French film about a gang of young people who detonate bombs around Paris, then hide out in a department store after. Eh, I thought it was too long and seemingly pointless. Oddly, the filmmakers have no interest in explaining why these kids are terrorists or what it is they're protesting, which leaves a big question mark re motivation. And the characterizations are very thin, making identification with the characters nigh impossible. Honestly, I can't recommend it.
Tried to watch the MadsMikkelsen film Polar, but it didn’t work for us. Rarely do we turn a movie off, but that’s what we did.
Instead, we watched Noomi Rapace’s Close and stuck with it the whole way. It had a few moments, but isn’t worth recommending.
We followed this with Chris Pine’s Outlaw King, but shouldn’t have. Pine’s Scottiah accent was very hit and miss with a lot more miss. It was also hit and miss with the story telling: all over the place. And then there was Pine’s horrible mullet-like thing he had going. No one would follow anyone anywhere with that haircut. Overall, it was the best of the three, but still a waste of time.
Two mindless Amy Schumer movies (I was sick, so didn't need anything depressing).
I Feel Pretty and Trainwreck. Both were underwhelming.
I too enjoyed Batman vs. Superman moreso than most. I also enjoyed it more than that which I have seen of the Justice League film. I have yet to be able sit through all of it. I am not a big fan of Jesse Eisenberg as Lex Luthor. I do like Henry Cavill as Superman and Ben Affleck as Batman.Finally got around to Batman v Superman. Only seen half of it so far, but I quite like it. The brooding, took-itself-too-seriously tone that ruined Justice League (even moreso than the rubbish script and awful, unlikeable take on the Flash) works quite well here, and I enjoyed the idea of a flawed, more "human" Superman being called to account for his mistakes, and his fce-off with Batman. I liked Affleck as the Batman, actually - especially this take which again emphasised his vigilante / rough justice nature.