LizzieMaine
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I tend to view the whole "elites" argument with suspicion for one simple reason -- it's a favorite tactic of demagogues, who set themselves up as fake populists and say "It's not us, it's Those Other Ones There who are your enemy." It's so much easier to reject any argument for social change as "Hmph, there go those pointy headed intellectual Elites again," than to confront the actual issues they raise. Father Coughlin, Joe McCarthy, Spiro Agnew and George Wallace, to name a few played the masses like a fiddle with that tactic at various times in recent history, to the ultimate detriment of those masses.
I disagree that social changes originate with "the elite." Social change has never begun with "the elite" at any time in history. "The elite" may well take up the cause after the fact, when they sense which way the wind is blowing, or they hear the rattle of the tumbrels rolling in their direction, but the pressure for change always originates, and has always originated from within an oppressed class. Women themselves began the Women's Movement." African-Americans themselves began the Civil Rights Movement. LGBT people began the LGBT movement. The labor movement began with the workers themselves. Even Christianity -- which began as much as a social movement as a religious one -- originated among the "offscouring of humanity." And on and on and on. Social change has always begun with the discontent of the oppressed.
To get back to the PC argument, there was nothing "elite" about the group of black comic readers who went to see C. C. Beck in 1945, and I don't see much "elite" in the story of the Miss Saigon incident, not after doing a bit of research and finding that the protests originated with Actors Equity -- about four hundred Asian-American actors within American Equity were in a dispute with British Equity, which had jurisdiction over the London production, over casting issues in the show, It remained an internal matter between the two unions and the producer until David Henry Hwang, the writer of "M. Butterfly," leaked it to the press and it spun into a Big Public Dispute. Disputes sell papers, and naturally, everybody's got their two cents to throw in once it becomes a public dispute. There's nothing particularly "elite" in that. Hwang, for his part, has expressed regret about how he handled the matter, but remains convinced that it did help raise awareness of a real problem that then existed -- and continues to exist -- within the theatre. You could argue that, for those who have no actual stake in the issue to dismiss concerns over such problems as mere "PC" is in itself, if you'll pardon the expression, maybe a bit "elitist."
All that said, I do want to say how much I've appreciated the tone of this discussion. All too often discussion of Pee Cee degenerates into Sour Old White Men whining about how much they hate everything that has changed in society since they were ten years old, but this one has remained on a high plane. You've always kept your discussions on such a plane, and I, for one, very much appreciate that.
I disagree that social changes originate with "the elite." Social change has never begun with "the elite" at any time in history. "The elite" may well take up the cause after the fact, when they sense which way the wind is blowing, or they hear the rattle of the tumbrels rolling in their direction, but the pressure for change always originates, and has always originated from within an oppressed class. Women themselves began the Women's Movement." African-Americans themselves began the Civil Rights Movement. LGBT people began the LGBT movement. The labor movement began with the workers themselves. Even Christianity -- which began as much as a social movement as a religious one -- originated among the "offscouring of humanity." And on and on and on. Social change has always begun with the discontent of the oppressed.
To get back to the PC argument, there was nothing "elite" about the group of black comic readers who went to see C. C. Beck in 1945, and I don't see much "elite" in the story of the Miss Saigon incident, not after doing a bit of research and finding that the protests originated with Actors Equity -- about four hundred Asian-American actors within American Equity were in a dispute with British Equity, which had jurisdiction over the London production, over casting issues in the show, It remained an internal matter between the two unions and the producer until David Henry Hwang, the writer of "M. Butterfly," leaked it to the press and it spun into a Big Public Dispute. Disputes sell papers, and naturally, everybody's got their two cents to throw in once it becomes a public dispute. There's nothing particularly "elite" in that. Hwang, for his part, has expressed regret about how he handled the matter, but remains convinced that it did help raise awareness of a real problem that then existed -- and continues to exist -- within the theatre. You could argue that, for those who have no actual stake in the issue to dismiss concerns over such problems as mere "PC" is in itself, if you'll pardon the expression, maybe a bit "elitist."
All that said, I do want to say how much I've appreciated the tone of this discussion. All too often discussion of Pee Cee degenerates into Sour Old White Men whining about how much they hate everything that has changed in society since they were ten years old, but this one has remained on a high plane. You've always kept your discussions on such a plane, and I, for one, very much appreciate that.