Want to buy or sell something? Check the classifieds
  • The Fedora Lounge is supported in part by commission earning affiliate links sitewide. Please support us by using them. You may learn more here.

What are you listening to?

BinkieBaumont

Rude Once Too Often
Lonesome gal

In the late 40s a sultry female radio voice stopped male listeners in their tracks: "Sweetie, no matter what anybody says, I love you better than anybody in the whooooole world". Then, over sweet organ music, the lovely lady would sing:

" Lonesome.....I'm a real lonesome gal.
I can't stop feeling lonesome...
Heaven knows when I shall....."
As the music faded, that sexy voice continued softly....."Hi Babeeee....this is your Lonesome Gal...and I want you to sit back, kick off your shoes, and light up a pipeful of Bond Street Tobacco so you can relax with a gal that loves you...."

This unusual, and quite remarkable, syndicated radio show was the product of radio producer Bill Rousseau, and his wife, Jean King, although her identity would not be revealed until 1953. It began as a local show on WING in Dayton, Ohio where King, then in her mid-30s, had perfected her show, by interspersing mildly sexy chatter with sweet, instrumental music on records. John Dunning says of this show: King "spoke in as intimate a manner as radio would allow" and she soon "had more than fifty stations and an income of six figures."

In public appearances, King wore a mask. adding to her mystery. Her local sponsors in Ohio were overwhelmed with the results of the advertising on her program. Based on her Midwest success, King headed to California again. She had originally gone to Southern California from her native Texas to look for acting work and she had minimum success in radio (a few roles on "I Love A Mystery") and she played minor parts in grade-B movies, including some in the Tarzan series. After WW II, she headed for the Midwest and after two years of "Lonesome Gal" in Ohio, it was time to return to the West Coast.

King had trouble there, getting her show on the air, until her new husband, Bill Rousseau, a producer of radio's "Dragnet", was able to get sponsor syndication for hundreds of local stations. At one time, King was actually recording 300 of these 15 minute shows per week, all individually tailored to a particular sponsor or town. Philip Morris paid the bills in seven major markets in the U.S. King had a studio built in their home with a microphone so sensitive that, as Time magazine described it, it could "pick up each wisp of her breath and every sugary nuance of her voice."

Male listeners (married or not) found it difficult to pull away from this sultry siren of the airwaves. King did the whole show herself, with one engineer to play the records, nearly all of which were dreamy, instrumental love songs. Rarely did she play a record with a vocalist---no sense inviting competition into a tiny world of just her and her listener. Of course, she did all the commercials herself too, and they were written for her own special pitch.

A typical commercial, from an April 1951 show, delivered in her soft, slow, breathy voice, sounded like this:

"You know, Sweetie, I hope you've got a special friend, someone that
you know and understand so well that just sitting together without a word
spoken is enough. I hope that you've got a friend like that and that you
share another wonderful bond of friendship--Bond Street Tobacco. When you
pass that mild, mellow Bond Street Tobacco over to your friend and watch
him light up his pipe--that's like the old tradition of breaking bread.
You see, Baby, what it amounts to is that you're sharing more than
tobacco...you're sharing something precious....the experience of smoking a
pipe full of pleasure--the joy of smoking Bond Street. It doesn't matter
where you are--in a boat casting for salmon, or playing a game of cards, or
just walking in the country. You and your friend are smoking your pipes,
filled with Bond Street Tobacco, and somehow the fishing is better, the
card game is more interesting, the walk is more enjoyable. So, Angel, be
generous with all the things you have---share them with your friends. And
there is no gesture more generous, more friendly, than passingyour Bond
Street Tobacco over to your friend and saying 'Here you are--help
yourself.' Because along with the pleasures of smoking he discovers, he'll
discover another fine reason for saying: 'I'll Remember April".......
3365531132_337e173d40_m.jpg
 

Fletch

I'll Lock Up
Messages
8,865
Location
Iowa - The Land That Stuff Forgot
That Gluskin guy, again

Let's Be Domestic, a 1930 turn from the writers of Sing You Sinners. Nice low register clarinet work, infectious bass sax rhythm section.

That's an instrumental, but lyrics are here...kinda got me wondering about that gal who makes her own laundry soap and won't give up the bobby sox. Does it get 'em sparkling white? Could she use a guy who doubles on washboard? ;)
 

Feraud

Bartender
Messages
17,190
Location
Hardlucksville, NY
I have a compilation called Chasin That Devil Music.
It has songs by Charlie Patton, Willie Brown, Hayes McMullin, Blind Joe Reynolds, Tommy Johnson, and other great performers.
Good stuff.
 

Ghostsoldier

Call Me a Cab
Messages
2,410
Location
Starke, Florida, USA
Feraud said:
I have a compilation called Chasin That Devil Music.
It has songs by Charlie Patton, Willie Brown, Hayes McMullin, Blind Joe Reynolds, Tommy Johnson, and other great performers.
Good stuff.

I've got a similar compilation called The Devil is a Busy Man...early electric blues...good stuff...
Rob
 

BinkieBaumont

Rude Once Too Often
FRANCES LANGFORD

On a lovely Autumn afternoon I'm listening to Frances Langford show, followed by "Information Please" with special Guest "Mr Joan Crawford" (Franchot Tone) and Oscar Le vante

Information Please was an American radio quiz show, created by Dan Golenpaul, which aired on NBC from May 17, 1938 to June 25, 1948. The title phrase was contemporarily used to request information such as directory assistance and time of day from telephone operators.
The series was moderated by Clifton Fadiman (1904–1999). A panel of experts would attempt to answer questions submitted by listeners. If the panelists were stumped, the questioner earned five dollars and a complete edition of the Encyclopædia Britannica. As the years went by, the prize money increased accordingly.
Panel regulars included writer-actor-pianist Oscar Levant (1906–1972) and newspaper columnists and renowned wits and intellectuals Franklin P. Adams (1881–1960) and John Kieran (1892–1981). All the panelists were well-versed in a wide range of topics, though each had a specialty. Music and film questions were often addressed to Levant. Adams was well known for his mastery of poetry, popular culture and Gilbert and Sullivan. Kieran was an expert in natural history, sports and literature. A typical question would have three or four parts and would require the panelists to get a majority of the questions right, lest they lose the prize money.
The show would always have a fourth guest panelist, usually either a celebrity, a politician or writer. Guest panelists included Fred Allen, Boris Karloff, Clare Boothe Luce, Dorothy Parker, S. J. Perelman, Sigmund Spaeth, Rex Stout, Jan Struther, Deems Taylor, Alexander Woollcott, Ruth Gordon, and Orson Welles.
The show was as much a comedy as a quiz show. The panelists displayed a quick wit in answering the questions, reveling in puns and malapropisms. Due to the spontanteous nature of the program, it became the first show for which NBC allowed a prerecorded repeat for the West Coast.
During World War II, the show frequently went on tours from its New York City base to promote the buying of war bonds. Instead of the usual cash prize, a question writer would win a bond. The show received several awards as an outstanding radio quiz show. In 1947, Golenpaul edited the Information Please Almanac, a reference book which continued through the years in different formats .

3365531132_337e173d40_m.jpg
 

BinkieBaumont

Rude Once Too Often
Frank Bennet

If a crazed scientist cloned "Tony Bennett & Frank Sinatra" he would come up with "Frank Bennett" A modern day "Crooner"

Cash Landing (1998)

"Material Girl"
"Pretend We're Dead"
"Money"
"Beautiful People"
"Would I Lie to You?"
"Kiss Me, Son of God"
"Everything Counts"
"White Collar Crime"
"Opportunities (Let's Make Lots of Money)"
"Everyone's a Winner"
"Been Caught Stealing"
"Everybody Wants to Rule the World"
"Money Changes Everything"


here is a sample:eusa_clap

http://www.youtube.com/watch?v=OLrg8dV0Wn8

3365531132_337e173d40_m.jpg
 

Forum statistics

Threads
109,256
Messages
3,077,417
Members
54,183
Latest member
UrbanGraveDave
Top