Prairie Dog
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The American Film Institute recently revealed it’s list of the top ten westerns of all time, which ended up being one of the only reasonable lists from it’s recent 10 Top 10 series. Here’s how things shook down there:
1. “The Searchers”
2. “High Noon”
3. “Shane”
4. “Unforgiven”
5. “Red River”
6. “The Wild Bunch”
7. “Butch Cassidy and the Sundance Kid”
8. “McCabe & Mrs. Miller”
9. “Stagecoach”
10. “Cat Ballou”
I can find myself agreeing with maybe seven of those. I can’t say I love what Sam Peckinpah did with the genre, nor do I subscribe to Robert Altman’s treatment of it. And the tenth slot was obviously playing devil’s advocate on the part of the Institute, seeing as the AFI is nothing if not conventional.
I’d much rather have seen “Once Upon a Time in the West” (the greatest of the genre, though an Italian film, so I assume ineligible), “The Ox Bow Incident” (a near masterpiece), “The Man Who Shot Liberty Valance” (the one film of the genre that seems to be a work of reflexivity) or “Winchester ‘73″ (the best of the early Jimmy Stewart westerns).
1. “The Searchers”
2. “High Noon”
3. “Shane”
4. “Unforgiven”
5. “Red River”
6. “The Wild Bunch”
7. “Butch Cassidy and the Sundance Kid”
8. “McCabe & Mrs. Miller”
9. “Stagecoach”
10. “Cat Ballou”
I can find myself agreeing with maybe seven of those. I can’t say I love what Sam Peckinpah did with the genre, nor do I subscribe to Robert Altman’s treatment of it. And the tenth slot was obviously playing devil’s advocate on the part of the Institute, seeing as the AFI is nothing if not conventional.
I’d much rather have seen “Once Upon a Time in the West” (the greatest of the genre, though an Italian film, so I assume ineligible), “The Ox Bow Incident” (a near masterpiece), “The Man Who Shot Liberty Valance” (the one film of the genre that seems to be a work of reflexivity) or “Winchester ‘73″ (the best of the early Jimmy Stewart westerns).