Pilgrim
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This week with St. Patrick's day, I celebrated by watching the John Ford classic The Quiet Man.
What a wonderful film! I regard it as one of John Wayne's best performances, and it was the first time he and Maureen O'Hara were teamed up. They made a superb screen couple.
Once again, it struck me that the thing which makes John Ford's films so special is not always the story line, but the wonderful characters in each film. Every inch of fim in a Ford movie contains characters that are gems in themselves. In The Quiet Man, it begins wth the train conducter (who immediatlely starts an argument about hotw to get to Sean Thorntions' destination) and includes just about every character. Barry Fitzgerald's performance is a tour de force.
In the westerns, it has always seemed to me that the relationship between (especially) the men in the pictures is an overriding aspect. Consider The Searchers, in which Ward Bond is a preacher and an officer in the Texas Rangers...which makes his relationship with Ethan Edwards more complex. I think much of Ford's work was really an explanation of the relationships of men, especially men in the military or with a military past (think Donovan's Reef).
At any rate, as I write this I'm transferring a 50th anniversary edition from laserdisc to DVD so that I can view it in my living room. What a captivating film! :eusa_clap :eusa_clap :eusa_clap
What a wonderful film! I regard it as one of John Wayne's best performances, and it was the first time he and Maureen O'Hara were teamed up. They made a superb screen couple.
Once again, it struck me that the thing which makes John Ford's films so special is not always the story line, but the wonderful characters in each film. Every inch of fim in a Ford movie contains characters that are gems in themselves. In The Quiet Man, it begins wth the train conducter (who immediatlely starts an argument about hotw to get to Sean Thorntions' destination) and includes just about every character. Barry Fitzgerald's performance is a tour de force.
In the westerns, it has always seemed to me that the relationship between (especially) the men in the pictures is an overriding aspect. Consider The Searchers, in which Ward Bond is a preacher and an officer in the Texas Rangers...which makes his relationship with Ethan Edwards more complex. I think much of Ford's work was really an explanation of the relationships of men, especially men in the military or with a military past (think Donovan's Reef).
At any rate, as I write this I'm transferring a 50th anniversary edition from laserdisc to DVD so that I can view it in my living room. What a captivating film! :eusa_clap :eusa_clap :eusa_clap