Inkstainedwretch
One Too Many
- Messages
- 1,037
- Location
- United States
Earlier, Cody and Ma are toasting one another and she says "Top of the world, son," and he responds "Top of the world." But what everyone remembers is "Top of the world, Ma!"
Mel Brooks "borrowed" elements from the first three movies in Universal's Frankenstein franchise for Young Frankenstein, but I think he realized Son of Frankenstein had the most comedic value; Basil Rathbone's over-the-top performance through most of the movie is just begging to be parodied.Speaking of "Young Frankenstein", I thought for years that Kenneth Mars' embedding of the darts in his (The Inspector's) wooden arm while playing darts with Gene Wilder was done for comic effect. I saw "Son of Frankenstein" for the first time in a long time this past weekend and saw that Lionel Atwill did exactly the same thing in the real movie.
In fact, I was slightly surprised to realize that most of "Young Frankenstein" was a parody of "Son of Frankenstein", not the first "Frankenstein".
The big door-knockers, Igor/Eyegor playing a horn, etc. were all there. So much so that I was getting "YF" flashbacks and laughing out loud at a lot of the serious scenes.
However, this may be just poor memory and not truly the Mandela Effect of remembering things that didn't really happen...
It may have been a "missed opportunity", but I had no interest in seeing the stage version of Young Frankenstein. I like the movie so much that I could only perceive an alternate version as inferior, and I have a strong dislike for musicals....Wonderful performer, truly funny man. I adored Gene Wilder and al the others, but Feldman really is the lynchpin that makes it all perfect.... Did you get a chance to see the stage version? Very well done, if not as strong as The Producers.. Fascinating especially to see how it was reimagined for the stage, bearing in mind that it had to be in colour (Brooks had to fight the studio and even threaten to walk, I believe, to get them to agree to let him shoot in B&W), and other elements of the original format - which was, after all, a satire on movies - wouldn't transfer...
The original Nosferatu (1922) is one of my favorite vampire movies, and I think Shadow of the Vampire was an interesting and rather well executed concept--a whole lot of fiction with just enough fact to make it almost plausible, and a bit of a behind-the-scenes look at how movies were made in those days....IT's always fun to watch something like that if you'd not been aware of specific details that way. A few years ago, I MC'ed a double bill screening of Nosferatu and Shadow of the Vampire; many in the audience had seen the latter before but not the former the whole way through - it was interesting to see people realise how much of the original they'd seen in clips, or taken off elsewhere over the years (I still maintain the Thriller dance was a take off of a very specific moment in the film), and then to see the smiles of recognition at the scenes recreated in Shadow...
Mel Brooks "borrowed" elements from the first three movies in Universal's Frankenstein franchise for Young Frankenstein, but I think he realized Son of Frankenstein had the most comedic value; Basil Rathbone's over-the-top performance through most of the movie is just begging to be parodied.
As memory serves, that line was in the forward to the first published volume by Voltaire, and was the publisher's summary of something he'd written at greater length. I have a half rememberee botion, as I type this, that something similar happened with "Give me liberty or give me death" and Ben Franklin.
That's because Patrick Henry said it.
.
The "give me liberty ..." was Patrick Henry.
As memory serves, that line was in the forward to the first published volume by Voltaire, and was the publisher's summary of something he'd written at greater length. I have a half rememberee botion, as I type this, that something similar happened with "Give me liberty or give me death" and Ben Franklin.
On target!That brings me to something a bit more relevant to the Mandela Effect...
Maybe you're conflating him with Mr. Peanut.It's not the Monopoly Man who wear a monocle -- it's his contemporary, Lord Plushbottom from "Moon Mullins." Right? Oh wait, Lord Plushbottom wears a pince-nez. Then why do I always picture him with a monocle -- even when I'm LOOKING RIGHT AT HIM.
View attachment 370906
Maybe its just a matter of the older I get the better I was.
…
But speaking of Dr. Franklin:—
It’s an all-too-common misconception that Benjamin Franklin, whose portrait graces the front of the $100 bill, was once President. Some people even say they are carrying lots of ‘dead Presidents’ when they have several $100 bills, thinking that the man on the ‘Benjamin’ was once a President. In actuality, fewer than three-quarters of the denominations of U. S. paper currency in current circulation bear portraits of former Presidents of the United States. Neither Alexander Hamilton nor Benjamin Franklin, whose portraits are on the $10 and $100 bill, respectively, were ever President*. But George Washington, Thomas Jefferson, Abraham Lincoln, Andrew Jackson, and Hiram Ulysses Grant, whose portraits are on the $1, $2, $5, $20, and $50, respectively, were.
…
.