LizzieMaine
Bartender
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- Where The Tourists Meet The Sea
Frank King of "Gasoline Alley" is the most underrated artist ever to do a daily comic strip. His figures seem so sketchy and so simple that you don't even notice how moody and how complex his style really is until he drops a strip like today's on you. That one the other day where Skeezix is climbing the stairs to his room, and you see it from a perspective looking down from a high angle above that really emphasizes the oppressive gloom of the scene, was absolutely spectacular, and this one's just as good.
Which gives me another opportunity to plug the "Walt and Skeezix" books from Drawn & Quarterly, a Canadian firm that's reprinting the entire daily run of "Gasoline Alley" in fine hardcover volumes. They're up to 1933-34 in the latest volume, in which Skeezix is discovering adolescence (Skeezix will never quite equal Harold Teen as a rattle-brained hepcat, but he will have his moments...) and the only bad thing I can say about the series is that they only come out with a new one every four years or so. I have the whole set so far, and intend to keep up with them as long as they keep them coming.
I think the deal with GWTW at the Metropolitan is that all evening shows are reserved-seats only, while if you're willing to see an afternoon continuous-show "Come In Any Time And See A Complete Performance" matinee, those seats are all general admission. And it's not coming to the Patio at popular prices until 1941 at the earliest, so those are your only choices. I do think there might be a matter of "we better get reserved seats or we won't get seats at all" going on among those movie fans who don't bother to read the fine print in the ads and just listen to the hype.
Mr. Cohn reviewed "His Girl Friday" in the January 12th Eagle:
Which gives me another opportunity to plug the "Walt and Skeezix" books from Drawn & Quarterly, a Canadian firm that's reprinting the entire daily run of "Gasoline Alley" in fine hardcover volumes. They're up to 1933-34 in the latest volume, in which Skeezix is discovering adolescence (Skeezix will never quite equal Harold Teen as a rattle-brained hepcat, but he will have his moments...) and the only bad thing I can say about the series is that they only come out with a new one every four years or so. I have the whole set so far, and intend to keep up with them as long as they keep them coming.
I think the deal with GWTW at the Metropolitan is that all evening shows are reserved-seats only, while if you're willing to see an afternoon continuous-show "Come In Any Time And See A Complete Performance" matinee, those seats are all general admission. And it's not coming to the Patio at popular prices until 1941 at the earliest, so those are your only choices. I do think there might be a matter of "we better get reserved seats or we won't get seats at all" going on among those movie fans who don't bother to read the fine print in the ads and just listen to the hype.
Mr. Cohn reviewed "His Girl Friday" in the January 12th Eagle: