Want to buy or sell something? Check the classifieds
  • The Fedora Lounge is supported in part by commission earning affiliate links sitewide. Please support us by using them. You may learn more here.

The B and W

Jack Scorpion

One Too Many
Messages
1,097
Location
Hollywoodland
Aronovsky shot PI in B&W to save money.

D.O.A. with Dennis Quaid is partly in B&W? I forget now.

In the last 30 years, B&W has been pretty gimmicky. Even in Schindler's List. Movies are shot in B&W to make them seem old, I guess. The real advantage of filming in B&W is the wide range of light and shadow that you are allowed to work with, yet only a few movies actually take advantage of this.
 

MrBern

I'll Lock Up
Messages
4,469
Location
DeleteStreet, REDACTCity, LockedState
Jack Scorpion said:
Aronovsky shot PI in B&W to save money.

D.O.A. with Dennis Quaid is partly in B&W? I forget now.

In the last 30 years, B&W has been pretty gimmicky. Even in Schindler's List. Movies are shot in B&W to make them seem old, I guess. The real advantage of filming in B&W is the wide range of light and shadow that you are allowed to work with, yet only a few movies actually take advantage of this.

But how many of these films are actually shot on B&W filmstock? I get the impression that a lot fo them are shot in color & then converted.
 

happyfilmluvguy

Call Me a Cab
Messages
2,542
MrBern said:
But how many of these films are actually shot on B&W filmstock? I get the impression that a lot fo them are shot in color & then converted.

Films like Schindler's List couldn't be filmed in color or the lighting would have been very difficult to compare when they convert it. I would think if you plan on having a film in black and white, it would be filmed in black and white, or whatever lighting and colors you used have no real use. Sin City was filmed entirely in Color for effect purposes, aka, the Green Screens and it was shot on digital, not film.
 

Forum statistics

Threads
109,685
Messages
3,086,606
Members
54,480
Latest member
PISoftware
Top