Want to buy or sell something? Check the classifieds
  • The Fedora Lounge is supported in part by commission earning affiliate links sitewide. Please support us by using them. You may learn more here.

Photos of hatters tools

humanshoes

One Too Many
Messages
1,446
Location
Tennessee
Sorry for this repost of sorts, but it just tickles me to no end that a set of my handmade hatter's tools is now in the capable hands of a very talented lady hatter in Bucharest, Romania. If you get a moment, check out her Facebook page here: https://www.facebook.com/decorinahats/
George's Hat Tools.jpg
 
Last edited:
Messages
18,588
Location
Nederland
Don't know where else to post this. Came upon this article a while ago and it's been sitting on my computer ever since. Shellac is something we take for granted as a part of the hatmaking process, but that wasn't always the case. Shellac has been around for a long time and has been used in a myriad of ways, but hats were stiffened in different ways as this article of 1799 indicates. The part on hats starts on the first page lower right and ends on the second page top left. It's in 18th century Dutch: good luck!:D
Oeconomische courant Ter bevordering van nationale huishoudkunde  nyverheid koophandel 1799.jpg
Oeconomische courant Ter bevordering van nationale huishoudkunde  nyverheid koophandel2 1799.jpg

O, okay then. Here's the translation.:rolleyes:

Economic newspaper for betterment of domestic science, industry and trade 1799

Improved way of making up hats

In the making of hats it’s custom to coat the inside of the crown and the brim with a sticky substance, that, when dried, keeps the hat firm and in shape. For this purpose one usually uses a glue, which consists of Arabic and domestic gum, mixed with Flemish glue solved in water and boiled down to a certain thickness.
This stiff solution makes the hat meager and brittle and after a few months a sort of gray crust forms on the surface, which ruins the hair or beaver.
Chaussier suspected, that the Arabic gum, which was added to the glue, was the cause of this, and he attempted to replace these substances, especially the gum, with the juice of domestically grown plants. Because of the glue that is found in many plants, is easily drained out by cooking and an artificial gum can be prepared by distillation, which is soft and sticky, he wanted to dissolve a strong glue in a decoction of linseed.
This preparation was used for a long time, being cheap to produce, by the hat factory in the department Cote d’Or, and resulted in high quality hats. Subsequently Margecou investigated the glue that was obtained from the leaves of the Indian Chestnut, and found that these, especially when in growing season, produce a high amount of glue, which is why at this factory since then this substance was used, instead of the linseed decoction, for the production of hats.

Here's an example of an early seventeenth century hat found in a shipwreck off the Dutch coast. Wonder how that was stiffened? I find the shape of it striking.
hoed begin 17e eeuw texel.jpeg
 

humanshoes

One Too Many
Messages
1,446
Location
Tennessee
You can be justly proud of your work, Rick. Looks beautiful.
Thanks Stefan. At my age, though, practicality wins out over pride every time. To me, it harkens back to a day when young apprentices were required to learn to make the tools of the trade before they were ever allowed to learn the trade itself.
 

humanshoes

One Too Many
Messages
1,446
Location
Tennessee
Don't know where else to post this. Came upon this article a while ago and it's been sitting on my computer ever since. Shellac is something we take for granted as a part of the hatmaking process, but that wasn't always the case. Shellac has been around for a long time and has been used in a myriad of ways, but hats were stiffened in different ways as this article of 1799 indicates. The part on hats starts on the first page lower right and ends on the second page top left. It's in 18th century Dutch: good luck!:D
View attachment 146523 View attachment 146524
O, okay then. Here's the translation.:rolleyes:

Economic newspaper for betterment of domestic science, industry and trade 1799

Improved way of making up hats

In the making of hats it’s custom to coat the inside of the crown and the brim with a sticky substance, that, when dried, keeps the hat firm and in shape. For this purpose one usually uses a glue, which consists of Arabic and domestic gum, mixed with Flemish glue solved in water and boiled down to a certain thickness.
This stiff solution makes the hat meager and brittle and after a few months a sort of gray crust forms on the surface, which ruins the hair or beaver.
Chaussier suspected, that the Arabic gum, which was added to the glue, was the cause of this, and he attempted to replace these substances, especially the gum, with the juice of domestically grown plants. Because of the glue that is found in many plants, is easily drained out by cooking and an artificial gum can be prepared by distillation, which is soft and sticky, he wanted to dissolve a strong glue in a decoction of linseed.
This preparation was used for a long time, being cheap to produce, by the hat factory in the department Cote d’Or, and resulted in high quality hats. Subsequently Margecou investigated the glue that was obtained from the leaves of the Indian Chestnut, and found that these, especially when in growing season, produce a high amount of glue, which is why at this factory since then this substance was used, instead of the linseed decoction, for the production of hats.

Here's an example of an early seventeenth century hat found in a shipwreck off the Dutch coast. Wonder how that was stiffened? I find the shape of it striking.
View attachment 146525
Thanks for that excellent historical tidbit Stefan. That hat looks almost exactly like the first few hats I ever made. Hah!
 
Last edited:
Messages
12,384
Location
Albany Oregon
Had a nice visit with Mike Miller at NW Hats in Eugene today. He says Howdy to you all. He has a cool new machine on the bench. He calls it a "Sandbagger". The press has a sand weighted bag on a movable arm. Presses the brims on hats on a flange. He still has to rig up a heating system in the sand. The old style they used is kind of dangerous and a fire hazard. It is called a "Hatmaster" Cool name!

12Dec18 NW Hats Sandbagger 500x.jpg
12Dec18 NW Hats Sandbagger base 500x.jpg
12Dec18 NW Hats Sandbagger plate 500x.jpg
 

ChicagoWayVito

Practically Family
Messages
699
Had a nice visit with Mike Miller at NW Hats in Eugene today. He says Howdy to you all. He has a cool new machine on the bench. He calls it a "Sandbagger". The press has a sand weighted bag on a movable arm. Presses the brims on hats on a flange. He still has to rig up a heating system in the sand. The old style they used is kind of dangerous and a fire hazard. It is called a "Hatmaster" Cool name!

View attachment 148213 View attachment 148214 View attachment 148215
Oh, wow. I am a bit envious. Have been looking for a sandbagger for a while. You don't get anything useful on the internet when searching for the term "sandbagger".
 

humanshoes

One Too Many
Messages
1,446
Location
Tennessee
Had a nice visit with Mike Miller at NW Hats in Eugene today. He says Howdy to you all. He has a cool new machine on the bench. He calls it a "Sandbagger". The press has a sand weighted bag on a movable arm. Presses the brims on hats on a flange. He still has to rig up a heating system in the sand. The old style they used is kind of dangerous and a fire hazard. It is called a "Hatmaster" Cool name!

View attachment 148213 View attachment 148214 View attachment 148215
Very nice.
 

humanshoes

One Too Many
Messages
1,446
Location
Tennessee
A brief pause in the hat making action to build a suitable table for the newest member of the PHC family, the ASM 1107-1 sweatband sewing machine. An old Singer cast iron treadle base paired with some weathered mahogany boards I had lying around the shop added up to the antique looking table I was shooting for. Now it's time for this pricey ba***rd to either earn it's keep or get the hell out.
Sweatband Sewing Machine.JPG
 
Last edited:

AbbaDatDeHat

I'll Lock Up
Messages
8,871
A brief pause in the hat making action to build a suitable table for the newest member of the PHC family, the ASM 1107-1 sweatband sewing machine. An old Singer cast iron treadle base paired with some weathered mahogany boards I had lying around the shop added up to the antique looking table I was shooting for. Now it's time for this pricey ba***rd to either earn it's keep or get the hell out.
View attachment 151074
Very very nice!! Will it do unreeded sweatbands?? I hope i hope!!
Bowen
 
Messages
19,465
Location
Funkytown, USA
First sweatband sewn in with the new ASM 1107-1 machine. I had to make adjustments to the factory set up and I will definitely need more practice, but the actual installation, after the sweatband was prepped, took less than a minute. Goodbye hand stitching...forever.
View attachment 152319 View attachment 152320
Better living through technology!

Sent directly from my mind to yours.
 

humanshoes

One Too Many
Messages
1,446
Location
Tennessee
I'm constantly is search of simple yet workable alternatives to heavy industrial hat making machinery. As most hat maker's will likely tell you, much time and effort are spent on brim work without the benefit of a proper hydraulic brim press. Enter the newest member of the PHC family. A vintage New York Electric Iron from the New York Pressing Iron Co., Inc. This bad boy weighs in at a whopping 15 pounds, roughly 2.2 pounds lighter than 2 gallons of milk. Maximum pressure, minimum effort. Granted, no replacement for the brim press, but much better than my standard steam iron. I've also built a rig that allows me to mount the hat block horizontally or vertically so that I can use this iron on the crowns as well as the brims. Better living through old technology.
New York Electric Iron.JPG
 
Last edited:
Messages
10,880
Location
vancouver, canada
I'm constantly is search of simple yet workable alternatives to heavy industrial hat making machinery. As most hat maker's will likely tell you, much time and effort are spent on brim work without the benefit of a proper hydraulic brim press. Enter the newest member of the PHC family. A vintage New York Electric Iron from the New York Pressing Iron Co., Inc. This bad boy weighs in at a whopping 15 pounds, roughly 2.2 pounds lighter than 2 gallons of milk. Maximum pressure, minimum effort. Granted, no replacement for the brim press, but much better than my standard steam iron. I've also built a rig that allows me to mount the hat block horizontally or vertically so that I can use this iron on the crowns as well as the brims. Better living through old technology.
View attachment 154142
Did you ever discuss this with Art or Mike at NW Hats? They have brim presses made by a millwright from the old Beaver Factory that cost a fraction of factory made ones. I know Mike loves his as it saves him a ton of time and produces a better finished brim.
 

humanshoes

One Too Many
Messages
1,446
Location
Tennessee
Did you ever discuss this with Art or Mike at NW Hats? They have brim presses made by a millwright from the old Beaver Factory that cost a fraction of factory made ones. I know Mike loves his as it saves him a ton of time and produces a better finished brim.
Thanks for the tip Belfastboy. I have considered sourcing one of the tabletop model brim presses, but another consideration for me is space, in that I'm out of it. I'm looking forward to retirement and my planned hat studio where I'll have room to spread my wings a bit.
 

Forum statistics

Threads
109,655
Messages
3,085,782
Members
54,471
Latest member
rakib
Top