- Messages
- 6,099
- Location
- Acton, Massachusetts
The concept of the anti-hero goes all the way back to Odysseus plowing his fields trying to avoid the voyage to Troy. In film, Sam Spade is a great example; think of the original "Maltese Falcon" and the womanizing marginally sympatheric Spade. Though even in the '41 version, Spade's lack of sympathy for Archer, and the associated complications with their relationship, are slightly shocking to the modern viewer.
In the late sixties urban decay and ther forces began to take its toll on the National, and perhaps international, psychi and perhaps what corruption that was tolerated to maintain our institutions, no longer seemed to work for the common man. It would take a new hero to negotiate this pernicious landscape. In strode McQueen, Eastwood, and Bronson to bring order and embody the aspirations of the modern viewer.
In the late sixties urban decay and ther forces began to take its toll on the National, and perhaps international, psychi and perhaps what corruption that was tolerated to maintain our institutions, no longer seemed to work for the common man. It would take a new hero to negotiate this pernicious landscape. In strode McQueen, Eastwood, and Bronson to bring order and embody the aspirations of the modern viewer.