Fletch
I'll Lock Up
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- Iowa - The Land That Stuff Forgot
It's really starting to freak me how much you and I think alike...LizzieMaine said:It drives me crazy to see things like typefaces or signs or package designs that are out-of-period in a film where everything else is accurate --
The same way anyone gets a job in Hollywood: through good connections, luck, years of thankless scrounging and a very high tolerance for horse pucky. [huh]especially when I realize there's people being paid more money than I'll ever earn to check up on just those sorts of details and they're getting it wrong! How does one go about getting a job like that, anyway??
The title of "Production Designer" is the one responsible for the look of a film. "Art Director(s)" are their underlings. IIRC (I used to date one), the AD is given latitude to research and design stuff, but if the PD doesn't approve it or the AD doesn't care much about (say) typography, things will get thru. Mostly the ADs have their hands full meeting the obvious visual requirements.
Of course, to some of us, anything wrong is obvious. I always say perfection is a noble quest but a lousy goal. Still, it wouldn't kill 'em to cut back on the use of Times Roman or hire a few art students to handletter signs once in awhile.
-P.