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I saw the one that interviews David Crosby a lot, & talks about Mama Cass a lot. Whichever title that was.And quite a few hat-wearers, Neil Young, Steven Stills, etc.
I saw the one that interviews David Crosby a lot, & talks about Mama Cass a lot. Whichever title that was.And quite a few hat-wearers, Neil Young, Steven Stills, etc.
Could be Laurel Canyon. Part 2 focused on Ronstadt, Jackson Browne, Eagles.I saw the one that interviews David Crosby a lot, & talks about Mama Cass a lot. Whichever title that was.
Lucy, as in "Lucille"?Looks like Lucy has a hot date today, she's all spiffed up with this old Dobbs.
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Looks like Lucy has a hot date today, she's all spiffed up with this old Dobbs.
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Great pic.Looks like Lucy has a hot date today, she's all spiffed up with this old Dobbs.
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I've always thought flying V's are the most awkward things to play. I can see why heavy metal guitarists like to point them straight out, so they can hook the V on their leg.Yep, that's the old girl.
I know why BB was always sitting down, that thing weighs more than any Les Paul you'll encounter.
Albert King had 5 V's & they were all carved with an arched top across the face as he preferred. I believe Joe Bonamassa owns one, Steven Seagal owns three in his collection, & one went back to Gibson.Did someone saying Flying V?
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You have to play them like a classical guitar when you're sitting down.
One thing's for sure, there's no problem with upper fret access and they're light enough.
I think when Gibson quit using Tom Nelson pickups (or Nelson left Gibson, whatever that deal was) Albert stayed with THN pickups on his guitars. And Nelson may have actually carved & built the last couple of guitars for him. He gave credit of his sound to those Nelson pickups.I didn't know that about his guitars, thanks!
Did someone saying Flying V?
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You have to play them like a classical guitar when you're sitting down.
One thing's for sure, there's no problem with upper fret access and they're light enough.
Bumping this thread for @Randall Renshaw
My only guitars now, the 0-18 sounds better.
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Bumping this thread for @Randall Renshaw
My only guitars now, the 0-18 sounds better.
View attachment 323806
View attachment 323832 I’ve posted this custom built “Griffin” acoustic several in other threads and provided a spec run down, so I’ll just add here that this thing is an absolute powerhouse. Deep, dark tones from straight grained back and sides make it sound like a Brazilian bucks!!
Thought I’d also include a rare Mark Leaf travel case and a new pair of Justin slickers that I’m diggin’
The hats are a 1940 long hair Royal Stetson, 60s melusine Kevin McAndrew 13 pleat bow and a favorite Pearl Gray Champ. View attachment 323828 View attachment 323836 View attachment 323842
Bumping this thread for @Randall Renshaw
My only guitars now, the 0-18 sounds better.
View attachment 323806
Nice, Fellas, I don't think I've ever played an old Martin that I didn't think sounded good. Old Gibson's are a different story ; )
Here's a 57' and a mid 20s 0018K that I no longer have.
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View attachment 323832 I’ve posted this custom built “Griffin” acoustic several in other threads and provided a spec run down, so I’ll just add here that this thing is an absolute powerhouse. Deep, dark tones from straight grained back and sides make it sound like a Brazilian bucks!!
Thought I’d also include a rare Mark Leaf travel case and a new pair of Justin slickers that I’m diggin’
The hats are a 1940 long hair Royal Stetson, 60s melusine Kevin McAndrew 13 pleat bow and a favorite Pearl Gray Champ. View attachment 323828 View attachment 323836 View attachment 323842
Thanks a lot, TGFThat's gorgeous, Randall and looks like a banjo killer for sure.