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Frank Borzage

mike

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Anyone? ...Anyone?

I was first introduced to him by the Museum of Moving Image here in Long Island City, Queens. They ran a film festival of his work a few years ago. I was surprised at the scope and grandeur of his work considering he was a name that barely registered to me, even though I grow up a huge silent and golden era film fanatic. In hindsight, I realize it's because with the exception of perhaps A Farewell to Arms, most of his classic films have never been commercially available!

I was lucky enough to see a screening of the River (or as complete a version as was available at that time.) I was really surprised by the film; the level of romantic, realistic intensity was able to transcend that the film today only exists in a fragmented form. Even as a pieced together tale, it remains gripping. It is boiled down humanity on display, set in a raw wilderness but shot with the utmost level of artistry and craft.

His best work comes at a point of virtual cinematic perfection, the last years of the silent era. FW Murnau's Sunrise is often considered one of the best films ever made, even when the mainstream treats the silent era as a second class (if not nonexistent) citizen. But Frank Borzage's work at this time shows that Murnau was not working in a vacuum. Both directors created at Fox Films, and you can see by the end results, that they compared notes if not inspired each other. The aesthetic created in Sunrise, the dreamlike qualities paired with truly realistic performances, can also be seen as the defining elements of a Borzage film.

During my time living in Los Angeles, I was fortunate enough to work in the 20th Century Fox Archives, which was an umbrella that included their preservation department. I was lucky enough to view copies of some of his most famous films including Seventh Heaven and Street Angel. I often raised questions about why the Home Entertainment Department hadn't made any of his films available for release. At the time, they were preparing the John Ford at Fox Box Set and it turned out to be one of the seasons best sellers, which opened the door to the possibility of a Frank Borzage collection. This month a collection of Frank Borzage and FW Murnau films was released celebrating the work they created while working under William Fox.

http://www.amazon.com/Murnau-Borzage-Fox-Box-Set/dp/B001EZE5E2/ref=cm_cr_pr_pb_t

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While the collection is very expensive for the work of a relatively unknown a filmmaker, I can't suggest searching out the films in this set enough! Perhaps netflix will offer the titles separately or Fox will issue them in smaller subsets in the soon future.

Anyone Borzage fans here on the Lounge? :)
 

mike

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Feraud said:
I am unfamiliar w/his work but will seek it out from Netflix.

Have you seen the Murnau, Borzage, & Fox documentary? Is it any good?


I dunno, I don't have the set. I have a great book on Borzage by McFarland Press with tons of beautiful stills from films I haven't seen that are in the set though.
 

Fletch

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Borzage is thought of today only for the antifascist-themed pictures he made after the mid 30s. It might be that the studios put him in the "Western Union" category, someone you only want when sending a message.
 

Prairie Dog

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I didn't know that Charles Farrell had such an illustrious film career.
You learn something new everyday at the FL.
FARRELL.jpg




It's hard to believe this is the same fella that played "My Little Margie's" dad.
galestorm1.jpg
 

Feraud

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I enjoyed the Murnau, Borzage & Fox Documentary documentary.


Here is an L.A. Times write up of the box set.
'Murnau, Borzage and Fox' boxed set
Three film greats: Fox, Murnau and Borzage. A new DVD collection looks at the era when their work overlapped.
By Susan King

December 7, 2008

They formed the most unlikely of cinematic triumvirates, but for a few years in the waning days of the 1920s and the early 1930s, Hungarian-born movie mogul William Fox and directors Frank Borzage and F.W. Murnau pushed the language of moviemaking to a high art.

This week, 20th Century Fox Studio Classics is releasing a lavish new DVD boxed set, "Murnau, Borzage and Fox," which features 12 films made by the directors at the studio, a new feature-length documentary and two coffee-table books of photographs from the films in the collection.
--------------------------------------------------------------------------------
FOR THE RECORD:
"Sunrise": The Second Look column and a photo caption with it last Sunday incorrectly said that director F.W. Murnau's film "Sunrise" won best picture at the inaugural Academy Awards ceremony in 1929. "Sunrise" won the one-time category of unique and artistic picture. —

--------------------------------------------------------------------------------


As with last year's "Ford at Fox" boxed set, "Murnau, Borzage and Fox" is a graduate course in film history and a must for any serious cinéaste. Not only does it shed light on Fox's contribution to film, it also reinvigorates the early career of Borzage and features photographic galleries and the script for Murnau's lost American production, "4 Devils."

Fox, said John Cork, the director of the set's documentary, "is by far the most revolutionary of the film moguls. He was the one who was constantly fighting and changing and working to take Hollywood into the future in the fastest way possible. The way he envisioned films being made is the way we look at films now."

Fox started out operating nickelodeons in the early 1900s in New York and went on to run a chain of successful theaters. Eventually he opened his own movie studio, Fox Film Corp., a distribution company and theater chain that he brought to Hollywood in the early 1920s. He signed Borzage, who began his career as an actor, in 1925 and brought the great German Expressionist director Murnau into the fold shortly thereafter.

Importing foreign directors was common during the silent era. Ernst Lubitsch came over from Germany and found a home at Paramount, eventually heading the studio. MGM hired Sweden's Victor Sjöström and Mauritz Stiller, but the directors soon discovered that studio producer Irving Thalberg wouldn't give them the freedom they had in their homeland.

Fox was different, vowing never to interfere with a filmmaker's artistic vision. At one point, said Cork, he told Murnau that he would "shut down every film at the studio to allow him to make his film, and they would bring other filmmakers on the set to watch how Murnau made his movies. It was a transformative moment in the history of Hollywood."

Murnau's influence was quickly seen in other Fox directors. John Ford's 1928 World War I drama "Four Sons" even borrowed sets from "Sunrise," Murnau's haunting romantic drama about a troubled young couple that won the best picture Oscar at the inaugural Academy Awards ceremony on May 16, 1929. Fox Film received half of the 12 awards handed out that night -- including best director for Borzage for his love story "Seventh Heaven."

When Borzage came to Fox in 1925, he excelled in eliciting strong performances from actors, but he wasn't known for his visual style until 1929's "Lucky Star," also included in the set. The drama features a much more confident use of the camera and evocative sets.

"He was so deeply influenced by Murnau," said Cork of Borzage. "He really took to the idea that you could tell the story behind the expression on the actor's face. You would use the visual element of the film to take you inside the emotional world of the character, which is the heart of Expressionism."

Borzage also had a deft hand with comedy, such as the 1929 farce "They Had to See Paris," starring Will Rogers as a folksy guy from Oklahoma who strikes it rich in the oil fields and ends up living with his family in a castle in France.

Other Borzage rarities include the 1930 romantic fantasy "Liliom," the story that became the basis of "Carousel"; the 1930 melodrama "Song O' My Heart," starring renowned Irish tenor John McCormack; and 1931's "Bad Girl," a drama about a young married couple dealing with money issues during the Depression.

Despite the stellar work the collaboration spawned, things ended tragically for Fox, Borzage and Murnau. In 1929, Fox, after nearly being killed in an auto accident, was sued by the Justice Department for violating antitrust laws after he bought out the Loew family's holding in MGM. He subsequently lost control of his own studio in 1930 in a hostile takeover and spent six months in prison in 1936 for attempting to bribe a judge in a bankruptcy hearing.

Borzage left the studio soon after Fox lost control and headed to Paramount, eventually landing at MGM in the late 1930s. He directed several notable pictures, including 1932's "A Farewell to Arms," 1937's "History Is Made at Night," 1938's "Three Comrades" and 1940's "The Moral Storm," but his output dwindled in the 1940s as he battled alcoholism in his later life.

Murnau's follow-up to "Sunrise," the more modestly budgeted circus tale "4 Devils," was originally released as a silent film, but after the studio reissued the movie with talkie sequences, Murnau terminated his contract. He died in 1931 at the age of 42.
http://www.latimes.com/entertainment/news/movies/la-ca-secondlook7-2008dec07,0,2069773.story
 

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