LizzieMaine
Bartender
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- Where The Tourists Meet The Sea
More than half the films we show where I work are foreign -- and the sense I get is that foreign filmmakers tend to be far less bound by commercial considerations than the Hollywood sort. There seems to be much more emphasis on original, meaningful story over trite formula, and they seem to be much more story-driven than star driven, even when big-name stars are featured.
They don't have to be grand spectacles or deep dramas to be successful, either. Two of my favorites are extremely *small* films: Yimou Zhang's "The Road Home" (China, 1999) and Andrei Kravchuk's "The Italian" (Russia, 2005). Both these pictures tell very simple, gentle stories about sympathetic protagonists, without feeling the need to delve into dark and depressing truths about the human condition, political allegory, or vast spectacle. They both have an honest, emotional intimacy that is all too hard to find on the screen these days.
They don't have to be grand spectacles or deep dramas to be successful, either. Two of my favorites are extremely *small* films: Yimou Zhang's "The Road Home" (China, 1999) and Andrei Kravchuk's "The Italian" (Russia, 2005). Both these pictures tell very simple, gentle stories about sympathetic protagonists, without feeling the need to delve into dark and depressing truths about the human condition, political allegory, or vast spectacle. They both have an honest, emotional intimacy that is all too hard to find on the screen these days.