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What Was The Last Movie You Watched?

Benzadmiral

Call Me a Cab
Messages
2,815
Location
The Swamp
I glanced at the listing for Friends With Kids on IMDb, and maybe part of the problem is that one person (Jennifer Westfeldt) wrote it, directed it, and starred in it. Not many performers can get away with that and still produce something that doesn't smack of "vanity project."
 

MondoFW

Practically Family
Messages
852
Just finished The African Queen, starring Hepburn and Bogart as the two dynamic stars. Glad I could finally see this one before it inexplicably gets removed from Netflix, as they did with Blazing Saddles. Nonetheless, you see Bogey in probably one of his best roles in this one. There was never a time I got bored watching!
 

2jakes

I'll Lock Up
Messages
9,680
Location
Alamo Heights ☀️ Texas
The one time that Greta Garbo hit a home run for me was in
a scene where she is looking around the bedroom and then with
no dialog....her face up close...
she simply gives a delicate sigh.
It was so natural, I always get emotional when I see it....
a love encounter from long ago that now lives only in memories.
 
Last edited:
Messages
17,222
Location
New York City
The one time that Greta Garbo hit a home run for me was in
a scene where she is looking around the bedroom and then with
no dialog....she simply gives a delicate sigh.
It was so natural, I always get emotional when I see it....
a lost love from long ago that now lives only in my memories.

It's been a pretty long time since I've seen that one, but if memory serves, she's basically up there having a sexual marathon and the sigh, which I hate to admit I think I remember, is delicate because it expresses her deep satisfaction and happy exhaustion (today, we crudely refer to her state and look as a FFG). Even in pre-code world, they didn't show what they do today, but they weren't shy about sending a sentient person all the clues needed to piece it together.
 

2jakes

I'll Lock Up
Messages
9,680
Location
Alamo Heights ☀️ Texas
It's been a pretty long time since I've seen that one, but if memory serves, she's basically up there having a sexual marathon and the sigh, which I hate to admit I think I remember, is delicate because it expresses her deep satisfaction and happy exhaustion (today, we crudely refer to her state and look as a FFG). Even in pre-code world, they didn't show what they do today, but they weren't shy about sending a sentient person all the clues needed to piece it together.

In some of her early pre-code movies by
Barbara Stanwyck who was no Garbo, nevertheless sent a clear message that
was very erotic without having to bare
all, leaving it to the imagination by her
manner of acting.
 
Last edited:

HanauMan

Practically Family
Messages
809
Location
Inverness, Scotland
Edge of Eternity (1959) - another of my personal favorite films.

Starring Cornel Wilde and Victoria Shaw, along with a nice role for Jack Elam, it is set in Kingman and the Grand Canyon area NE of Kingman around a guano mine. Murders, stolen gold, a shoot out with a little Colt Police Positive in .32 or .38S&W caliber (!) and fantastic period shots of Kingman (including the same hotel that we used when staying in Kingman), plus a fight on a cable car over the canyon. Also of note is the little seaplane landing on the Colorado river. And all in vivid Eastman color and Cinemascope.
 

LizzieMaine

Bartender
Messages
33,768
Location
Where The Tourists Meet The Sea
"Friends with Kids" 2011

If artificial intelligence ever starts writing movies, movies like this will be the result.

They are formulaic blends of "The Big Chill," "Definitely, Maybe" and "Must Love Dogs" and all the other movies of upper-middle-class people with more money than brains who spend inordinate amounts of time analyzing their own lives and making normal life challenges existential crises because they are happening to them.

The AI program will call for finding good looking actors with middling acting careers (you know them, but don't know all their names), put them in a hip city (or just use New York, 'cause it's always hip), show their pretty lifestyles with all their nice clothes, cars, homes, etc., find some current social issue (tilt liberal in viewpoint), create a few personal crisis to highlight it - but where the audience can feel smart because it can see the resolution before the characters - throw in some sex and a feel-good resolution and you're good to go.

As computing costs come down and AI capabilities increase rapidly, it seems silly to pay a writer to spit out these formulaic fluff pieces that must do well economically as they keep making them.

God, I hated that movie. We had it here for the longest six days of my life, and all I could do was fixate on Jennifer Westfeldt's Botoxed smirk. What a load of petit-bourgeois BS.
 
Messages
12,983
Location
Germany
Just previewed "Three Billboards Outside Ebbing Missouri," starring Frances MacDormand as a hard-bitten working-class woman consumed with rage over the unsolved rape/murder of her daughter, Woody Harrelson as the good-ole-boy small-town police chief who hasn't solved the case, and Sam Rockwell as a dumb, violent, comic-book-reading cop who may not be all he seems on the surface. This is, believe it or not, something of a black comedy, or so the reviews say -- but it came across to me as one of the best Westerns I've ever seen. There is no prairie, no sagebrush, the only horses only make cameo appearances, and it's set in the present day -- but it is, nevertheless, a Western in mood, in point of view, and in spirit. Highly recommended.

German synchronization kills it, as often happens.


I would watch original-tone.
 
Messages
17,222
Location
New York City
"The Last Angry Man" 1959
  • A crotchety, old-school, poor-neighborhood general practitioner - caring, cranky, doesn't get paid / doesn't ask to half the time, yells at his patients (you get the picture, hard on the outside, soft...) - is picked by a slick, but struggling, TV producer as a subject for a human interest documentary sponsored by a drug company
  • This sets the framework for a bunch of speeches on morals versus money masquerading as dialogue - the doctor comes off as the best (no surprise), the drug company okay (and it didn't feel manipulated) and the TV industry as the absolute worst (the writer, director and / or producer was sending a message out about his / her industry)
  • If you can take the aborning early-'60s-style, wide-eyed idealism, it's fun time-travel to late-'50s Brooklyn and Manhattan and the TV production business (Lizzie, you can tell us what's fake an what's real) with wonderful of-the-period clothes, cars, architecture, etc. everywhere (and it's all filmed in incredibly crisp B&W). Since it's not a period piece, you'll notice the mix of items from the prior forty or so years (cars, appliances, etc.) versus what you see in a lot of period pieces where all of those are - not accurately - form the period (i.e., all cars are 1950s models)
  • Paul Muni - who I love as an actor - overacts a bit in this one (and I hate to say that) as the doctor, but still out-acts most while David Wayne, as the desperate producer, gives the best performance of his that I've seen (while wearing Ivy perfect sack suits, button-down shirts, knit ties and a Burberry overcoat)
  • Another example of TCM's greatness is that movies like these just pop up. They aren't "big" enough to be in the league of "Casablanca" and the subject matter and style are not mass-market enough for them to make it to the small-time old movie channels; so without TCM, they might just disappear
 

LizzieMaine

Bartender
Messages
33,768
Location
Where The Tourists Meet The Sea
If you liked "Last Angry Man" -- which is an excellent portrait of the sleazy manipulativeness of late-fifties television -- you need to see "A Face In The Crowd," which is an even more disturbing look at the Boys and their manipulation of mass media. Anyone who has an image of Andy Griffith as a lovable salt-of-the-earth type will be astounded by his performance in that film -- and keep in mind that he made it *before* he became the "Andy Griffith" everybody remembers today.
 
Messages
17,222
Location
New York City
If you liked "Last Angry Man" -- which is an excellent portrait of the sleazy manipulativeness of late-fifties television -- you need to see "A Face In The Crowd," which is an even more disturbing look at the Boys and their manipulation of mass media. Anyone who has an image of Andy Griffith as a lovable salt-of-the-earth type will be astounded by his performance in that film -- and keep in mind that he made it *before* he became the "Andy Griffith" everybody remembers today.

Agreed, strong movie and with my favorite under-rated actress, Patricia Neal. Covering somewhat similar subject matter (and also echoing "The Sweet Smell of Success"), have you seen "The Great Man?"
 

LizzieMaine

Bartender
Messages
33,768
Location
Where The Tourists Meet The Sea
Oh yes. Absolutely devastating portrait of an Arthur Godfrey-like "lovable, folksy" media figure. It's pictures like these that have always made me exceedingly suspicious of any public figure who tries and tries to tell me what a "regular guy" he is.
 
Messages
12,019
Location
East of Los Angeles
The Fastest Guitar Alive (1967) on TCM. Roy Orbison stars as Johnny, a Confederate spy attempting to steal a shipment of gold in order to help fund the Confederacy during the Civil War. If you ever have a chance to watch it, don't. Elvis Presley was the first choice for Orbison's role, but it was so bad even he had the good sense to turn it down.
 

3fingers

One Too Many
Messages
1,797
Location
Illinois
God, I hated that movie. We had it here for the longest six days of my life, and all I could do was fixate on Jennifer Westfeldt's Botoxed smirk. What a load of petit-bourgeois BS.
I don't know a lot about her beyond Don Draper being her ex boyfriend, but obnoxious self important twit is my first impression.
 

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