Widebrim
I'll Lock Up
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Recently saw Desert Fury (1947, Paramount), with John Hodiak, Lizabeth Scott, Burt Lancaster, Mary Astor, and Wendell Corey. Perhaps the most daring Film Noir ever made, as regards the sexual ambiguity of four of the lead characters (see Muller's book Dark City for more on this). Beautifully shot in Technicolor, everybody dresses fashionably for the desert, and Lizabeth Scott looks like a million bucks. The ending speech by Corey (in his film debut) especially reveals the emotional/psychological "dynamics" between his and Hodiak's character.
Today watched Adventure in Manhattan (1936, Columbia), with Joel McCrae, Jean Arthur, Reginald Owen, and Thomas Mitchell. Good cast, especially Arthur (and why isn't there more interest shown these days for this talented lady?), but McCrae's character was a bit too unbelievable (he's a "psychic" news reporter who is also flawless at billiards). There were a couple of twists, though, and some bits of clever dialogue that helped make it an enjoyable view, especially for a Columbia picture at that time...
Today watched Adventure in Manhattan (1936, Columbia), with Joel McCrae, Jean Arthur, Reginald Owen, and Thomas Mitchell. Good cast, especially Arthur (and why isn't there more interest shown these days for this talented lady?), but McCrae's character was a bit too unbelievable (he's a "psychic" news reporter who is also flawless at billiards). There were a couple of twists, though, and some bits of clever dialogue that helped make it an enjoyable view, especially for a Columbia picture at that time...
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