Doctor Strange
I'll Lock Up
- Messages
- 5,262
- Location
- Hudson Valley, NY
Saw it. Liked some parts, but not everything. Overall I have to agree with the critics who've pointed out that it is more about fan service than telling a story, and it's practically an event-for-event remake of the first film (plus a few things from Empire thrown in). Say what you will about Lucas's prequels, but at least they took the story in unexpected directions and showed us things that we'd never seen before. This film is VERY familiar... which is one of the reasons that it'll be the biggest hit of all time, but I wish it was a little more off the standard original trilogy storyline.
The good:
The cast is mostly excellent. But Oscar Isaac doesn't get enough time or development, he's a cocky ace pilot, period. Daisy Ridley is a find, she carries the new Luke role with grace and fire. Domnall Gleeson is totally wrong for his role as the new Grand Muff Tarkin character. (Peter Cushing wasn't so great in the first film, but he was Peter Cushing, and he could do sophisticated menace in his sleep. Gleeson simply isn't in that league.) And Harrison Ford is the acting MVP - he perfectly resurrects Han Solo and doesn't just go through the motions like he did in Crystal Skull. He's the highlight of the returning cast. The Kylo Ren character is a somewhat different villain/character from what we've seen before, and Adam Driver completely sells it.
The production looks great, especially the use of on-set practical effects and shooting it on 35mm FILM. The big effects sequences look great, but you expect that these days, and it's sometimes hard for me to get excited about sequences where virtually everything you see only exists inside a computer. And they've excellent with the background continuity - there are many familiar alien races/creatures and technology. Of course, this leads into my main criticism...
The bad:
The continual remake/redundant aspects. Orphan on a desert planet who finds adorable droid carrying hidden data and turns out to be a fantastic pilot and Force-enabled? Check. Battle for the soul of a Force user between good father and bad father? Check. Bomb run through trench on surface of enormous planet-destroying space station to get to the one vulnerable spot and blow it up? Check. Visit to intergalactic bar full of alien creatures that's a wretched hive of scum and villainy? Check. Villains that mostly look and sound like space Nazis with English accents? Check. Climactic scene on catwalk over gigantic chasm inside a city-sized construct? Check. And it goes on and on...
The music. Not a single new melody worth recalling, and endless callbacks to the themes for Luke, Leia, the Force, etc. Sure, it's effective, but Williams just phoned it in.
That 30 years later, the society-changing events of Return of the Jedi have already fallen into mythology, with characters continually surprised that the heroes of the rebellion really exist. (Of course, this first became a problem for the original trilogy once the prequels were made, because again, the monumental events of just 20 years earlier seemed to have been almost entirely forgotten.) Maybe young folks won't be bothered by this, but now that I'm 60 years gold, 30 years doesn't seem like all that long!
To sum up: definitely better than I was expecting from Abrams, and undeniably a crowd-pleaser... but there's a mostly redundant, frequently ersatz feeling to it, for me anyway.
The good:
The cast is mostly excellent. But Oscar Isaac doesn't get enough time or development, he's a cocky ace pilot, period. Daisy Ridley is a find, she carries the new Luke role with grace and fire. Domnall Gleeson is totally wrong for his role as the new Grand Muff Tarkin character. (Peter Cushing wasn't so great in the first film, but he was Peter Cushing, and he could do sophisticated menace in his sleep. Gleeson simply isn't in that league.) And Harrison Ford is the acting MVP - he perfectly resurrects Han Solo and doesn't just go through the motions like he did in Crystal Skull. He's the highlight of the returning cast. The Kylo Ren character is a somewhat different villain/character from what we've seen before, and Adam Driver completely sells it.
The production looks great, especially the use of on-set practical effects and shooting it on 35mm FILM. The big effects sequences look great, but you expect that these days, and it's sometimes hard for me to get excited about sequences where virtually everything you see only exists inside a computer. And they've excellent with the background continuity - there are many familiar alien races/creatures and technology. Of course, this leads into my main criticism...
The bad:
The continual remake/redundant aspects. Orphan on a desert planet who finds adorable droid carrying hidden data and turns out to be a fantastic pilot and Force-enabled? Check. Battle for the soul of a Force user between good father and bad father? Check. Bomb run through trench on surface of enormous planet-destroying space station to get to the one vulnerable spot and blow it up? Check. Visit to intergalactic bar full of alien creatures that's a wretched hive of scum and villainy? Check. Villains that mostly look and sound like space Nazis with English accents? Check. Climactic scene on catwalk over gigantic chasm inside a city-sized construct? Check. And it goes on and on...
The music. Not a single new melody worth recalling, and endless callbacks to the themes for Luke, Leia, the Force, etc. Sure, it's effective, but Williams just phoned it in.
That 30 years later, the society-changing events of Return of the Jedi have already fallen into mythology, with characters continually surprised that the heroes of the rebellion really exist. (Of course, this first became a problem for the original trilogy once the prequels were made, because again, the monumental events of just 20 years earlier seemed to have been almost entirely forgotten.) Maybe young folks won't be bothered by this, but now that I'm 60 years gold, 30 years doesn't seem like all that long!
To sum up: definitely better than I was expecting from Abrams, and undeniably a crowd-pleaser... but there's a mostly redundant, frequently ersatz feeling to it, for me anyway.
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