"Skeet" McD
Practically Family
- Messages
- 755
- Location
- Essex Co., Mass'tts
OK, Fedord Spaniard: I know a good idea when I see one....see you, and raise you!
Let's go the reverse route: movies you couldn't bring yourself to see, because you were afraid they'd be awful: but that turned out, when you finally did see them, to be....great!
I'll go first:
1984. Loved the book...read it first in grammar school, about 1966, and thought "Good God: I'll be...21! when it actually IS 1984!" And then...it WAS 1984, I was 21, and...they made the film. I couldn't believe it could do it justice. I was wrong: I got sucked into it; one night around 1990 I was channel surfing late at night and came into a film somewhere in the middle. The imagery stopped me dead, and as I watched I realized: IT'S 1984!! And it was BETTER than the film in my head; I never would have thought of setting the thing in a 1940s dystopia...those autogyros with the thought police STILL get to me. Great film.
Cold Comfort Farm. Loved the book...read it after seeing the BBC TV version in the late 70s (which was very good). A lot of the humor of the book is based on its running joke of mimicking a certain genre of late 19C novel...which, of course, doesn't come over well onscreen: the point is a book having a joke on books. But, when the film came out in the 90s...I thought it was a very good job indeed: maybe not quite on a par with the BBC version...but the fact that its budget was probably 12,000 times bigger made up for the shorter length...
The Lord of the Rings. Loved the book(s) (you sense a pattern here....) Let's face it: how could ANY film, or films, really do justice to the book...and the hideous Kraptacular Toddlers-on-Mescaline Ralph Bakshi 1970s animabortion of The Hobbit still makes me cringe. But...giving due allowance for the changes that really needed to be made to film it, and which I think were good changes...I find it hard to imagine ANYONE doing it better. The weak link, I think, is the middle film: unsurprising, I suppose: the first film has an obvious story arc that gets everything going...and the final film has a blockbuster ending that ties it all up. The middle one....well, it's the middle one, that gets everybody from HERE to THERE. But one for the ages!
There: that's a start....
"Skeet"
Let's go the reverse route: movies you couldn't bring yourself to see, because you were afraid they'd be awful: but that turned out, when you finally did see them, to be....great!
I'll go first:
1984. Loved the book...read it first in grammar school, about 1966, and thought "Good God: I'll be...21! when it actually IS 1984!" And then...it WAS 1984, I was 21, and...they made the film. I couldn't believe it could do it justice. I was wrong: I got sucked into it; one night around 1990 I was channel surfing late at night and came into a film somewhere in the middle. The imagery stopped me dead, and as I watched I realized: IT'S 1984!! And it was BETTER than the film in my head; I never would have thought of setting the thing in a 1940s dystopia...those autogyros with the thought police STILL get to me. Great film.
Cold Comfort Farm. Loved the book...read it after seeing the BBC TV version in the late 70s (which was very good). A lot of the humor of the book is based on its running joke of mimicking a certain genre of late 19C novel...which, of course, doesn't come over well onscreen: the point is a book having a joke on books. But, when the film came out in the 90s...I thought it was a very good job indeed: maybe not quite on a par with the BBC version...but the fact that its budget was probably 12,000 times bigger made up for the shorter length...
The Lord of the Rings. Loved the book(s) (you sense a pattern here....) Let's face it: how could ANY film, or films, really do justice to the book...and the hideous Kraptacular Toddlers-on-Mescaline Ralph Bakshi 1970s animabortion of The Hobbit still makes me cringe. But...giving due allowance for the changes that really needed to be made to film it, and which I think were good changes...I find it hard to imagine ANYONE doing it better. The weak link, I think, is the middle film: unsurprising, I suppose: the first film has an obvious story arc that gets everything going...and the final film has a blockbuster ending that ties it all up. The middle one....well, it's the middle one, that gets everybody from HERE to THERE. But one for the ages!
There: that's a start....
"Skeet"