1910s Stetson Derby, estimated based on the LOT number. 5 ¾” crown, the tallest one I have, and the oldest one I have in my size. The bow has frayed ends on both sides and is not tacked down as usual. Vented crown. Interesting that the reorder number is also stamped on the sweatband.
1910s Stetson Derby, estimated based on the LOT number. 5 ¾” crown, the tallest one I have, and the oldest one I have in my size. The bow has frayed ends on both sides and is not tacked down as usual. Vented crown. Interesting that the reorder number is also stamped on the sweatband.
Sardou was just an author, not a hat maker. Knox actually introduced the hat here in NYC in conjunction with the play’s American premiere. Other manufacturers quickly copied its due to its success.
Fun facts: the names Fedora and Trilby come from men's hats named after plays, not women's hats worn by their female stars, as conventional wisdom and urban legends would have us believe.
You're absolutely correct, as that's the only way to get the proper curl so that the sides and the back end up with the same visual width. And I did deconstruct a Derby to discover this. It one that was heavily damaged.
The Knox Forty was offered as early as 1925 and was a clear beaver hat. This could easily be a 1930s or early 1940s hat. I feel the brim is too wide for 1920s, but that’s just a guess.
Thanks for posting. My dating guide says these liner tips “perhaps showed up in the late-1940s,” so now we can say for certain they showed up mid-decade.
That edge looks think and bulbous. Is there a Cavanagh Edge hiding under the binding?
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